The Rise of Romanticism: Essential Texts |
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Seite 126
These faculties may mimic or copy the perceptions of the senses ; but they can never entirely reach the force and vivacity of the original sentiment . The utmost we say of them , even when they operate with greatest vigour , is , that ...
These faculties may mimic or copy the perceptions of the senses ; but they can never entirely reach the force and vivacity of the original sentiment . The utmost we say of them , even when they operate with greatest vigour , is , that ...
Seite 132
From the first appearance of an object , we never can conjecture what effect will result from it . But were the power or energy of any cause discoverable by the mind , we could foresee the effect , even without experience ; and might ...
From the first appearance of an object , we never can conjecture what effect will result from it . But were the power or energy of any cause discoverable by the mind , we could foresee the effect , even without experience ; and might ...
Seite 137
One event follows another ; but we never can observe any tie between them . They seem conjoined , but never connected . And as we can have no idea of any thing which never appeared to our outward sense or inward sentiment ...
One event follows another ; but we never can observe any tie between them . They seem conjoined , but never connected . And as we can have no idea of any thing which never appeared to our outward sense or inward sentiment ...
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Inhalt
Thomas Burnet | 17 |
John Locke | 37 |
John Dennis | 48 |
Urheberrecht | |
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abstract actions admiration ancient appear association authority beauty become body Book cause century character circumstances classical common concept concerning consider continues course creative distance distinct Earth effect equal eternal evident example existence experience express extension fancy feeling figure frequently genius give greater ground hand heaven human ideas imagination imitation impressions infinite instance kind language less light living look manner means memory mind motion mountains nature never objects observed original particular pass passions perceived perception perhaps person philosophers pleasure poem poet poetical poetry Pope present principle produce proper prophetic reader reason relation rise Romantic seems sensation sense sensible sight simple soul sound space speak spirit sublime suggests suppose term theory things thought true understanding vibrations visible whole writing Young
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The Politics of Art: Eli Mandel's Poetry and Criticism Ed Jewinski,Andrew Stubbs Eingeschränkte Leseprobe - 1992 |