The Rise of Romanticism: Essential Texts |
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Seite 119
The idea of time is not deriv'd from a particular impression mix'd up with others , and plainly distinguishable from them ; but arises altogether from the manner in which impressions appear to the mind , without making one of the number ...
The idea of time is not deriv'd from a particular impression mix'd up with others , and plainly distinguishable from them ; but arises altogether from the manner in which impressions appear to the mind , without making one of the number ...
Seite 201
We are deceived in the like manner , if the parts of some large object are so continued to any indefinite number , that the imagination meets no check which may hinder its extending them at pleasure . Whenever we repeat any idea ...
We are deceived in the like manner , if the parts of some large object are so continued to any indefinite number , that the imagination meets no check which may hinder its extending them at pleasure . Whenever we repeat any idea ...
Seite 237
The fingers of young children * bend upon almost every impression which is made upon the palm of the hand , thus performing the action of grasping in the original automatic manner . After a sufficient repetition of the motory vibrations ...
The fingers of young children * bend upon almost every impression which is made upon the palm of the hand , thus performing the action of grasping in the original automatic manner . After a sufficient repetition of the motory vibrations ...
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Inhalt
Thomas Burnet | 17 |
John Locke | 37 |
John Dennis | 48 |
Urheberrecht | |
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abstract actions admiration ancient appear association authority beauty become body Book cause century character circumstances classical common concept concerning consider continues course creative distance distinct Earth effect equal eternal evident example existence experience express extension fancy feeling figure frequently genius give greater ground hand heaven human ideas imagination imitation impressions infinite instance kind language less light living look manner means memory mind motion mountains nature never objects observed original particular pass passions perceived perception perhaps person philosophers pleasure poem poet poetical poetry Pope present principle produce proper prophetic reader reason relation rise Romantic seems sensation sense sensible sight simple soul sound space speak spirit sublime suggests suppose term theory things thought true understanding vibrations visible whole writing Young
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The Politics of Art: Eli Mandel's Poetry and Criticism Ed Jewinski,Andrew Stubbs Eingeschränkte Leseprobe - 1992 |