The Rise of Romanticism: Essential Texts |
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He is self - divided , the quintessence if not of classical , certainly of New - classical man . Blake's self - dividing Urizen ( see pp . 298-305 ) images every unhappy facet of this perceptive position . The painters alluded to above ...
He is self - divided , the quintessence if not of classical , certainly of New - classical man . Blake's self - dividing Urizen ( see pp . 298-305 ) images every unhappy facet of this perceptive position . The painters alluded to above ...
Seite 139
Secondly , images which appeared as ' in the eye of the Creator ' , were more effective than those of classical poets . Thirdly , the original poets made ' all the beauties to flow from an inward principle ' while classical writers ...
Secondly , images which appeared as ' in the eye of the Creator ' , were more effective than those of classical poets . Thirdly , the original poets made ' all the beauties to flow from an inward principle ' while classical writers ...
Seite 333
The Neo - classical poetry of the Augustan era is an arena for debates on topics ' outside ' itself , for example the mores of Lady Mary Wortley Montagu or Belinda . The poetry which succeeded it is epistemological .
The Neo - classical poetry of the Augustan era is an arena for debates on topics ' outside ' itself , for example the mores of Lady Mary Wortley Montagu or Belinda . The poetry which succeeded it is epistemological .
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Inhalt
Thomas Burnet | 17 |
John Locke | 37 |
John Dennis | 48 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abstract actions admiration ancient appear association authority beauty become body Book cause century character circumstances classical common concept concerning consider continues course creative distance distinct Earth effect equal eternal evident example existence experience express extension fancy feeling figure frequently genius give greater ground hand heaven human ideas imagination imitation impressions infinite instance kind language less light living look manner means memory mind motion mountains nature never objects observed original particular pass passions perceived perception perhaps person philosophers pleasure poem poet poetical poetry Pope present principle produce proper prophetic reader reason relation rise Romantic seems sensation sense sensible sight simple soul sound space speak spirit sublime suggests suppose term theory things thought true understanding vibrations visible whole writing Young
Verweise auf dieses Buch
The Politics of Art: Eli Mandel's Poetry and Criticism Ed Jewinski,Andrew Stubbs Eingeschränkte Leseprobe - 1992 |