Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-PopColumbia University Press, 21.02.2012 - 256 Seiten From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. |
Inhalt
1 | |
11 | |
2 Mapping Misora Hibari | 49 |
3 Mystery Plane | 85 |
4 Working Within the System | 113 |
5 New Music and the Negation of the Negation | 159 |
6 The Japan that Can Say Yes | 195 |
Coda | 223 |
Notes | 229 |
275 | |
Andere Ausgaben - Alle anzeigen
Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-pop Michael K. Bourdaghs Eingeschränkte Leseprobe - 2012 |
Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-pop Michael K. Bourdaghs Keine Leseprobe verfügbar - 2012 |