The Forest Minstrel

Front Cover
Edinburgh University Press, 2006 - Literary Criticism - 404 pages
0 Reviews
Reviews aren't verified, but Google checks for and removes fake content when it's identified
Edited by Peter Garside and Richard D. Jackson, with musical notations prepared by Peter Horsfall
Originally published in 1810, The Forest Minstrel represents the first full collection of songs by Hogg. The items contained include some of his first compositions as a shepherd in Ettrick, while others originate from early contact with the literary culture of Edinburgh. This edition for the first time supplies musical settings for the majority of items, whereas in 1810 Hogg only nominated tunes by title. These settings are based on extensive research in relevant pre-1810 Scottish music books. As a result, the modern reader is given access to the tunes which originally formed an integral part of the songs. An Introduction describes Hogg's development as a song-writer and the musical context in 1810; while full annotation is provided on both the texts of the songs and the related tunes.
The volume also includes a CD containing audio recordings of the seventy-two tunes which are provided by means of the notations.

What people are saying - Write a review

We haven't found any reviews in the usual places.

About the author (2006)

Son of a Scottish shepherd and descended from minstrels, Hogg led a life that has the fictional quality Thomas Hardy was to capture later in the century in his novels of country life. After meeting Sir Walter Scott in 1802, Hogg adopted the name "Ettrick Shepherd," a pseudonym under which he published original lyrics and ballads. In 1814 Hogg met William Wordsworth and enjoyed literary friendships in the Lake District, although he parodied the other poets' styles and mannerisms in The Poetic Mirror (1816). He married at age 50 and fathered five children, whom he tried to support by the same kind of unproductive farming at which Robert Burns had labored a generation before. Like Burns, his convivial nature and verbal talents won him a following in fashionable society, especially after the publication of his first novel, The Private Memoirs and Confessions of a Justified Sinner (1824), when he was 53 years old. The first novel to explore psychological aberrations, it traces the collapse of a personality under the pressure of social conformity, native superstition, and religious excess. Since the introduction by Andre Gide to the 1947 Cresset edition, it has acquired an academic following and a new popularity. There is a James Hogg Society, founded in 1982, which publishes a newsletter.