Enacting Past and Present: The Memory Theaters of Djuna Barnes, Ingeborg Bachmann, and Marguerite DurasLexington Books, 01.01.2004 - 207 Seiten Through a discussion of Walter Benjamin, Sigmund Freud, Mieke Bal and others, author Michaela Grobbel focuses on the work three women authors as types of performance which lead to re-presentations of memory. These women writers foreground the present but also critically demonstrate the complex relationship of the present to the past. Grobbel's work is a critical addition to any discussion of feminism, memory and literary modernism. |
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Enacting Past and Present: The Memory Theaters of Djuna Barnes, Ingeborg ... Michaela M. Grobbel Eingeschränkte Leseprobe - 2009 |
Enacting Past and Present: The Memory Theaters of Djuna Barnes, Ingeborg ... Michaela M. Grobbel Keine Leseprobe verfügbar - 2009 |
Häufige Begriffe und Wortgruppen
already Arcades Project art of memory autobiographical Bachmann's Malina Bachmann's novel Barnes's Nightwood Benjamin Boehm calls attention central female figure chapter classical art concept construction critical cultural desire dialectical image discussion disfigured Djuna Barnes Djuna Barnes's dream Duras's Eingedenken Elfriede Jelinek enacted Erinnerung example experience female subject feminist film forgetting Freud Gedankenbühne gender Geschichte Handmaid's Tale ibid Ich-figure Ich's identity imagination Ingeborg Bachmann Jacques Hold John Malkovich knowledge language literally literary Lol's memory male Marguerite Duras memory images memory performance memory scene memory text memory theater memory traces modernist narrative narrator Nora notion numbers past and present physical play points political problematic Ravissement de Lol reading reenactments relationship remembering representation represents repressed memory reveals Robin semiotic sense space stage Stein story stresses structure symbolic T.S. Eliot Tatiana text's textual Thala theatrical Thelma Wood tion Todesarten traditional visible voice Walter Benjamin Weigel woman women