Translating Italy for the Eighteenth Century: British Women, Translation and Travel Writing (1739-1797)Routledge, 08.04.2014 - 178 Seiten Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century.
A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige.
Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape. |
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... seem to have in common is a wary distrust of a logic built on systems of binary oppositions. Each of these disciplines are working out alternatives, by indicating points on an ideal continuum, routes to follow, rather than crossroads ...
... seems rather it was the appeal to the female reader which was the reason for the success of the English translation ... seem to provide new insights in this case. I have thus looked at another kind of writing, which was becoming more ...
... seems to provide the link between the early proto-feminist interest in Italy (documented by Carter's translation) and the widespread use of an Italian setting in the female Gothic. Piozzi (and also Miller, to a lesser extent) draws ...
... seems to anticipate Watt's theory about the role played by the middle class in The Rise of the Novel (1987). However, the two studies diverge in their analysis of gender constraints on literary production, an analysis which is totally ...
... seems possible to locate some form of agency. A remarkable change in women writers' self-presentation techniques has been generally regarded as one of the principal characteristics of post-1740 female writing. Spencer (1986; 1996) and ...
Inhalt
1 | |
6 | |
2 Female Translators in the Eighteenth Century The Role of Women as Literary Innovators ... | 33 |
3 Elizabeth Carters Translation of Algarottis Newtonianismo per le Dame Female Learning and Feminist Cultural Appropriation ... | 56 |
4 EighteenthCentury Travel Writing Constructing Images of the Other | 90 |
5 Hester Piozzis Appropriation of the Image of Italy Gender and the Nation | 111 |
Conclusion | 142 |
References | 145 |
Index | 164 |
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