Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 110
... Angelo's motives , as well as Isabella's , to psycho- pathological symptoms . Lucio claims that " Angelo was not made by man and woman , after this downright way of creation " and is therefore " a motion ungenerative " ( 3 . 2. 100-8 ) ...
... Angelo's motives , as well as Isabella's , to psycho- pathological symptoms . Lucio claims that " Angelo was not made by man and woman , after this downright way of creation " and is therefore " a motion ungenerative " ( 3 . 2. 100-8 ) ...
Seite 116
... Angelo , a kind of denial of the body as it is implicated in human life . A related recoil from the flesh and its consequences is to be found in Angelo's language , even when it is at its most formal and forensic . Here , for instance ...
... Angelo , a kind of denial of the body as it is implicated in human life . A related recoil from the flesh and its consequences is to be found in Angelo's language , even when it is at its most formal and forensic . Here , for instance ...
Seite 117
... Angelo is at least struggling to think of himself as the mere conductor of an impersonal process , the operator of a machine that once set in motion will irrevocably pursue its destructive course . But no code of law is really a set of ...
... Angelo is at least struggling to think of himself as the mere conductor of an impersonal process , the operator of a machine that once set in motion will irrevocably pursue its destructive course . But no code of law is really a set of ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words