The Lives of the Most Eminent British Painters and Sculptors, Band 3Harper, 1846 |
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Seite 7
... pleased when it was brought home to him . He gave the artist a piace in the Board of Works , and employed his hand on the ornaments of most taste in his palaces , particularly in the chapel at Windsor , where the simplicity of GIBBONS . 7.
... pleased when it was brought home to him . He gave the artist a piace in the Board of Works , and employed his hand on the ornaments of most taste in his palaces , particularly in the chapel at Windsor , where the simplicity of GIBBONS . 7.
Seite 8
... taste of his present majesty has lately consigned them to oblivion , but unfortunately the carved accompaniments could not be separated , and shared the doom of the paintings . deep enrichments of the entablatures . Since the genius of ...
... taste of his present majesty has lately consigned them to oblivion , but unfortunately the carved accompaniments could not be separated , and shared the doom of the paintings . deep enrichments of the entablatures . Since the genius of ...
Seite 12
... taste collected ornaments by the most eminent living masters , are many by Gibbons , particularly in the chapel . In the great ante - chamber are several dead fowl over the chimney finely executed , and over a closet door a pen not ...
... taste collected ornaments by the most eminent living masters , are many by Gibbons , particularly in the chapel . In the great ante - chamber are several dead fowl over the chimney finely executed , and over a closet door a pen not ...
Seite 16
... taste , and worthy of the Grecian age of cameos . " While these embellishments were in pro- gress , the house caught fire , and Selden , a favourite disciple and assistant of Gibbons , lost his life in saving the festoon which contains ...
... taste , and worthy of the Grecian age of cameos . " While these embellishments were in pro- gress , the house caught fire , and Selden , a favourite disciple and assistant of Gibbons , lost his life in saving the festoon which contains ...
Seite 18
... taste will be reluctant to admit - the Grecian architecture , which he was called upon to enrich , refuses to wear with grace a profusion of garlands ; whereas the grove - like state- liness and harmonious variety of the Gothic carry ...
... taste will be reluctant to admit - the Grecian architecture , which he was called upon to enrich , refuses to wear with grace a profusion of garlands ; whereas the grove - like state- liness and harmonious variety of the Gothic carry ...
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45 cents Achilles admiration Alexander Johnston allegory ancient angels antique appeared artist Bacon Banks beauty bust bust sculpture carved character Chatsworth chisel Church Cibber clay Damer daughter designs dignity divine drapery drawings Duke Edward Walpole elegance Elgin marbles eminent executed exhibited fame father feeling figures Flaxman gallery gave genius Gibbons Gothic grace Greece groups guineas hand head hero Hesiod Homer honour Horace Walpole imagined imbody Italy John Flaxman Joseph Nollekens labour lady living look Lord Lord Castlereagh loved magnificent marble ment merit Michael Angelo mind monu monument nature never noble Nollekens ornaments painter painting pedestal person Phidias plaster pleased poet poetic poetry portrait pounds praise Rome Roubiliac Royal Academy sculp sculptor seems sentiment simplicity sketches skilful skill spirit splendid statue talents taste thing thought thousand guineas tion ture Venus Walpole Westminster Abbey wife Wilton workmanship
Beliebte Passagen
Seite 55 - The other shape, If shape it might be called that shape had none Distinguishable in member, joint or limb; Or substance might be called that shadow seemed; For each seemed either; black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart; what seemed his head The likeness of a kingly crown had on...
Seite 226 - I stood near him ; and his face, to use the expression of the Scripture of the first martyr— his face was as if it had been the face of an angel.
Seite 6 - In good earnest the very frame was worth the money, there being nothing in nature so tender and delicate as the flowers and festoons about it, and yet the work was very strong; in the piece were more than 100 figures of men, &c.
Seite 12 - There is no instance of a man before Gibbons who gave to wood the loose and airy lightness of flowers, and chained together the various productions . of the elements with a free disorder natural to each species.
Seite 271 - Yclad in mighty arms and silver shield, Wherein old dints of deep wounds did remain, The cruel marks of many a bloody field ; Yet arms till that time did he never wield : His angry steed did chide his foaming bit, As much disdaining to the curb to yield : Full jolly knight he seemed, and fair did sit, As one for knightly jousts and fierce encounters fit.
Seite 226 - ... them the figure of their deliverer in the well-earned triumph of his important victory, from the whole of that grave multitude there arose an involuntary burst of gratitude and transport They jumped upon him, like children on a long absent father.
Seite 6 - I questioned him why he worked in such an obscure and lonesome place; he told me it was that he might apply himself to his profession without interruption, and wondered not a little how I had found him out.
Seite 297 - But we possess in England the most precious examples of Grecian power in the sculpture of animals. The horses of the frieze in the Elgin collection appear to live and move, to roll their eyes, to gallop, prance, and curvet; the veins of their faces and legs seem distended with circulation; in them are distinguished the hardness and decision of bony forms, from the elasticity of tendon, and the softness of flesh. The beholder is charmed with the deer-like lightness and elegance of their make, and...
Seite 308 - John Flaxman, RAPS, whose mortal life was a constant preparation for a blessed immortality : his angelic spirit returned to the Divine Giver on the 7th of December, 1826, in the seventy-second year of his age.
Seite 157 - This draws new clients daily, to my house, Women and men of every sex and age, That bring me presents, send me plate, coin, jewels, With hope that when I die (which they expect Each greedy minute) it shall then return Ten-fold upon them; whilst some, covetous Above the rest, seek to engross me whole, And counter-work the one unto the other, Contend in gifts, as they would seem in love...