Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 76
... space outside the city for the first time : But Felipe had always lived in the city , he knew about streets and electric billboards . His sensations immediately preceding his death would be un- known to him , nebulous . For him , the ...
... space outside the city for the first time : But Felipe had always lived in the city , he knew about streets and electric billboards . His sensations immediately preceding his death would be un- known to him , nebulous . For him , the ...
Seite 23
... spaces : material space , textual space , cultural space , and psychic space . Most important for my purposes , Gwin defines textual space " as the intangible configurations , the openings and closures con- structed by and within ...
... spaces : material space , textual space , cultural space , and psychic space . Most important for my purposes , Gwin defines textual space " as the intangible configurations , the openings and closures con- structed by and within ...
Seite 29
... spaces , to invoke Minrose Gwin's narratological taxonomy once more , that constrict emotional expression into pre - fabricated shapes . Only in a different kind of space - an art space - can they say dif- ferent kinds of things to each ...
... spaces , to invoke Minrose Gwin's narratological taxonomy once more , that constrict emotional expression into pre - fabricated shapes . Only in a different kind of space - an art space - can they say dif- ferent kinds of things to each ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual historical homosexual identity imagined intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer relation relationship riage Roberto role romance same-sex marriage SANTA CRUZ Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban woman women Zapata