Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 81
... sense . The most repeated visual image of Amores perros is the dangerous intersection where three separate stories ... sense of urban disunity established by the film's frenetic cinematography and the sense that no mastery over urban ...
... sense . The most repeated visual image of Amores perros is the dangerous intersection where three separate stories ... sense of urban disunity established by the film's frenetic cinematography and the sense that no mastery over urban ...
Seite 9
... sense of mothering - its minimal definitive and presupposed cultural predication of selfless love " ( Spivak 67 ) . The mother is to be read here outside “ essentialism , " Spivak feels the need to caution . It is a general sense of ...
... sense of mothering - its minimal definitive and presupposed cultural predication of selfless love " ( Spivak 67 ) . The mother is to be read here outside “ essentialism , " Spivak feels the need to caution . It is a general sense of ...
Seite 187
... sense what everyone senses first ' . ( 95 ) One of Lyotard's aims is to reserve the unharmonizable , especially in the face of the sense - making machinery of reason . When we think of the political impulses underwriting the evaluation ...
... sense what everyone senses first ' . ( 95 ) One of Lyotard's aims is to reserve the unharmonizable , especially in the face of the sense - making machinery of reason . When we think of the political impulses underwriting the evaluation ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata