Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 113
... reference continually returns to the traumatic moment of its birth : the castration complex . Hence the look , pleasurable in form , can be threatening in content , and it is women as representation / image that crystallizes this ...
... reference continually returns to the traumatic moment of its birth : the castration complex . Hence the look , pleasurable in form , can be threatening in content , and it is women as representation / image that crystallizes this ...
Seite 238
... references to the decadence and nostalgia of Spanish Modernismo abound . ValleInclán himself describes this Sonata a ... reference to the Mexican Reform made by another character provides the reader a temporal frame specific to the time ...
... references to the decadence and nostalgia of Spanish Modernismo abound . ValleInclán himself describes this Sonata a ... reference to the Mexican Reform made by another character provides the reader a temporal frame specific to the time ...
Seite 128
... référence plus âpre à l'autonomie de l'individu ] " and it “ nourishes itself also , in a direct manner , from the reference to more communitarian forms of belonging [ de la référence à des formes plus commmunitaristes d'appartenance ] ...
... référence plus âpre à l'autonomie de l'individu ] " and it “ nourishes itself also , in a direct manner , from the reference to more communitarian forms of belonging [ de la référence à des formes plus commmunitaristes d'appartenance ] ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata