Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
Im Buch
Ergebnisse 1-3 von 52
Seite 10
... position with respect to other cultural spheres . From this position it manifests its own imagined community and projects it to the world through its monopolizing control and influence over cinema chains , video stores , and satellite ...
... position with respect to other cultural spheres . From this position it manifests its own imagined community and projects it to the world through its monopolizing control and influence over cinema chains , video stores , and satellite ...
Seite 14
... position outside the episteme , what Bullock calls an Archimedean point , where the critic can objectively observe the period and its texts . Making his mission all the more difficult , Benjamin imagines that this position is one that ...
... position outside the episteme , what Bullock calls an Archimedean point , where the critic can objectively observe the period and its texts . Making his mission all the more difficult , Benjamin imagines that this position is one that ...
Seite 178
... positions with regard to gender that support the themes , the forms , and the identity positions developed during the discursive recovery of a film such as Danzón . II : Danzón : Contemporary Mexico from a Woman's Point of View Danzón ...
... positions with regard to gender that support the themes , the forms , and the identity positions developed during the discursive recovery of a film such as Danzón . II : Danzón : Contemporary Mexico from a Woman's Point of View Danzón ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
allows American appears argues audience authors become begins body Buñuel called characters cinema civil contemporary continue couples Court created critical cultural defined desire director discourse effects existence experience fact fantasy feminism film García gender give heterosexual historical homosexual identity imagined important Juan Julia Latin lesbian live look María married Marxism meaning Mexican Mexico City Michigan mother movie narrative narrator nature novel object political popular position possibility practices present production provides Queer question recent reference relation relationship represents role same-sex marriage scene seems sense sexual social society sodomy space Spanish specific status story symbolic takes tion traditional turn United University values Veracruz woman women writes York young