Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 10
... position with respect to other cultural spheres . From this position it manifests its own imagined community and projects it to the world through its monopolizing control and in- fluence over cinema chains , video stores , and satellite ...
... position with respect to other cultural spheres . From this position it manifests its own imagined community and projects it to the world through its monopolizing control and in- fluence over cinema chains , video stores , and satellite ...
Seite 14
... position outside the episteme , what Bullock calls an Archimedean point , where the critic can objectively observe the period and its texts . Making his mission all the more difficult , Benjamin imagines that this position is one that ...
... position outside the episteme , what Bullock calls an Archimedean point , where the critic can objectively observe the period and its texts . Making his mission all the more difficult , Benjamin imagines that this position is one that ...
Seite 178
... positions with regard to gender that support the themes , the forms , and the iden- tity positions developed during the discursive recovery of a film such as Danzón . II : Danzón : Contemporary Mexico from a Woman's Point of View Danzón ...
... positions with regard to gender that support the themes , the forms , and the iden- tity positions developed during the discursive recovery of a film such as Danzón . II : Danzón : Contemporary Mexico from a Woman's Point of View Danzón ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata