Im Buch
Ergebnisse 1-3 von 69
Seite 133
Similar to the use of popular magazines and other pop artifacts , the majority of camp icons come from popular film , often B - movies . Queer authors , from William S. Burroughs onward , use elements from low - brow cinema in their ...
Similar to the use of popular magazines and other pop artifacts , the majority of camp icons come from popular film , often B - movies . Queer authors , from William S. Burroughs onward , use elements from low - brow cinema in their ...
Seite 194
Popular Mexican Cinema and Undocumented Immigrants Maricruz Castro Ricalde This article exposes the artificiality of the separation effected in 1980s Mexican journalistic discourse between so - called " quality " cinema and its implied ...
Popular Mexican Cinema and Undocumented Immigrants Maricruz Castro Ricalde This article exposes the artificiality of the separation effected in 1980s Mexican journalistic discourse between so - called " quality " cinema and its implied ...
Seite 198
dirección ni actuación ni mucho menos guión , sólo demuestra los estragos que en el gusto popular puede causar la televisión " ( 28 ) ( The long theatre run for this film , uneven as few are , aberrant in its humor , without direction ...
dirección ni actuación ni mucho menos guión , sólo demuestra los estragos que en el gusto popular puede causar la televisión " ( 28 ) ( The long theatre run for this film , uneven as few are , aberrant in its humor , without direction ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
allows American appears argues audience authors become begins body Buñuel called characters cinema civil contemporary continue couples Court created critical cultural defined desire director discourse effects existence experience fact fantasy feminism film García gender give heterosexual historical homosexual identity imagined important Juan Julia Latin lesbian live look María married Marxism meaning Mexican Mexico City Michigan mother movie narrative narrator nature novel object political popular position possibility practices present production provides Queer question recent reference relation relationship represents role same-sex marriage scene seems sense sexual social society sodomy space Spanish specific status story symbolic takes tion traditional turn United University values Veracruz woman women writes York young