Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Ergebnisse 1-3 von 31
Seite 62
... live , and where Doña Manuelita and el Niño Luis now live ) , or through networks that link wealthy , corrupt businessmen to the impoverished , angry youths they hire as halcones ( Bernabé of " El hijo de Andrés Aparicio " grows up to ...
... live , and where Doña Manuelita and el Niño Luis now live ) , or through networks that link wealthy , corrupt businessmen to the impoverished , angry youths they hire as halcones ( Bernabé of " El hijo de Andrés Aparicio " grows up to ...
Seite 86
... live imaginary lives : it encourages them to live real lives inspired by the silver screen . The interior monologues , the vertiginous edition of a persecution ( when you follow someone physically ) , the circular shots of endless ...
... live imaginary lives : it encourages them to live real lives inspired by the silver screen . The interior monologues , the vertiginous edition of a persecution ( when you follow someone physically ) , the circular shots of endless ...
Seite 30
... live in , by creating a new marriage agreement , a Giddensesque everyday social experiment that allows both partners ... live partner . We may live our lives according to our unrealistic expectations rather than our actual feelings ...
... live in , by creating a new marriage agreement , a Giddensesque everyday social experiment that allows both partners ... live partner . We may live our lives according to our unrealistic expectations rather than our actual feelings ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata