Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 52
... Film was a phenomenon or just a trend . There is a clear dichotomy : before there was popular film and an audi- ence for it . Nowadays , there is no audience , because there is no space for Mexican film . The public that can't afford to ...
... Film was a phenomenon or just a trend . There is a clear dichotomy : before there was popular film and an audi- ence for it . Nowadays , there is no audience , because there is no space for Mexican film . The public that can't afford to ...
Seite 53
... film . The fact that the movie was filmed in Spain does not make it a Spanish film . It's a Spanish film for Spain ; but in other places it is considered a US film . Films are identified by the language they are made in . F.S ...
... film . The fact that the movie was filmed in Spain does not make it a Spanish film . It's a Spanish film for Spain ; but in other places it is considered a US film . Films are identified by the language they are made in . F.S ...
Seite 54
... film , a film is either good or bad . F.S .: Nevertheless , films are grouped in sections like " Latino Horizons " of whose jury you are the president right now . From your position , which vir- tues should be rewarded in a Latin American ...
... film , a film is either good or bad . F.S .: Nevertheless , films are grouped in sections like " Latino Horizons " of whose jury you are the president right now . From your position , which vir- tues should be rewarded in a Latin American ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata