Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 101
... director's Mexican social life : “ Luis Buñuel agreed to meet in the Bar del Parador , where the director would order perfect martinis from his favorite bartender , Córdoba . " The narrative continues with the narrator deeply engrossed ...
... director's Mexican social life : “ Luis Buñuel agreed to meet in the Bar del Parador , where the director would order perfect martinis from his favorite bartender , Córdoba . " The narrative continues with the narrator deeply engrossed ...
Seite 116
... director recreated the Beatles ' Sgt . Pepper's album cover , with a group of people standing behind Blanca at the funeral scene . The director also emphasizes the theatricality of the film by moving the couch around with Marcos . The ...
... director recreated the Beatles ' Sgt . Pepper's album cover , with a group of people standing behind Blanca at the funeral scene . The director also emphasizes the theatricality of the film by moving the couch around with Marcos . The ...
Seite 153
... director of UNAM's School of Architecture theater , he staged plays with an experimental flair . He founded and edited the theater journal La Carpa ( Batis 127 ) . By 1965 he held the post of Artistic Director of UNAM's Television ...
... director of UNAM's School of Architecture theater , he staged plays with an experimental flair . He founded and edited the theater journal La Carpa ( Batis 127 ) . By 1965 he held the post of Artistic Director of UNAM's Television ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata