Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 67
... desire is fulfilled , fully satisfied , but on the contrary , a scene that realizes , stages , the desire as such . The fundamental point of psychoanalysis is that desire is not something given in advance , but something that has to be ...
... desire is fulfilled , fully satisfied , but on the contrary , a scene that realizes , stages , the desire as such . The fundamental point of psychoanalysis is that desire is not something given in advance , but something that has to be ...
Seite 89
... desire , writing during the last one hundred years , a new ( hi ) story of the eye . Contrary to the locomotive - another symbol of the modern world — the camera is not a vision of History , but it is a vision of the I : a new emblem of ...
... desire , writing during the last one hundred years , a new ( hi ) story of the eye . Contrary to the locomotive - another symbol of the modern world — the camera is not a vision of History , but it is a vision of the I : a new emblem of ...
Seite 243
... desire of his previous travels . La Niña Chole , has the eyes and body language of “ la raza maya ” and speaks in ... desire for Lilí with his desire for La Niña and he also begins to mix his perception of the Mexican landscape with the ...
... desire of his previous travels . La Niña Chole , has the eyes and body language of “ la raza maya ” and speaks in ... desire for Lilí with his desire for La Niña and he also begins to mix his perception of the Mexican landscape with the ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata