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Seite 204
However , the similarities between her own films and those of the " Golden Age " are often left unrevealed by many of the Mexican critical establishment . Her choice , though apparently " radical " to some for selecting the figure of a ...
However , the similarities between her own films and those of the " Golden Age " are often left unrevealed by many of the Mexican critical establishment . Her choice , though apparently " radical " to some for selecting the figure of a ...
Seite 230
This will necessarily involve both identifications and thus a shared responsibility in those collective sins , and a critical distancing turned into reflection , understanding and , perhaps , even a will to action .
This will necessarily involve both identifications and thus a shared responsibility in those collective sins , and a critical distancing turned into reflection , understanding and , perhaps , even a will to action .
Seite 231
Form too provides the critical content ; it is the intricate way their classic neo - realism mixes with MTV aesthetic and serialized melodramatic narratives , the way in which the memory of a glocal experience emerges out of this ...
Form too provides the critical content ; it is the intricate way their classic neo - realism mixes with MTV aesthetic and serialized melodramatic narratives , the way in which the memory of a glocal experience emerges out of this ...
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Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 2004 |
| Original von | University of California |
| Digitalisiert | 21. Juni 2011 |
| Zitat exportieren | BiBTeX EndNote RefMan |