Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 157
... become appar- ent only in the closing scene at Julia's wedding when we glimpse Cecilia sitting with Guillermo in the church . Added to the process is the synecdochic link through the use of the song " Anyone Who Had a Heart , " which ...
... become appar- ent only in the closing scene at Julia's wedding when we glimpse Cecilia sitting with Guillermo in the church . Added to the process is the synecdochic link through the use of the song " Anyone Who Had a Heart , " which ...
Seite 4
... become familiar to feminist theory . Illustrative in this respect is Lydia Sargent's anthology of responses to Hartmann's essay , which plays with the range of marriage vocabulary . Some of the titles in this anthology include : “ New ...
... become familiar to feminist theory . Illustrative in this respect is Lydia Sargent's anthology of responses to Hartmann's essay , which plays with the range of marriage vocabulary . Some of the titles in this anthology include : “ New ...
Seite 11
... become part of the body of all struggles , woman must enlist in all liberations " ( 264 ) . And “ enlist " here is in the French faire corps , " make body . " Compare Fanon : " the Alge- rian woman penetrates a little further into the ...
... become part of the body of all struggles , woman must enlist in all liberations " ( 264 ) . And “ enlist " here is in the French faire corps , " make body . " Compare Fanon : " the Alge- rian woman penetrates a little further into the ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata