Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
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Seite 198
... María Elena Velasco , la India María , nunca como en esta ocasión demuestra cuáles son sus pretensiones cinematográfi- cas . Esto es , un cine abiertamente comercial en el cual la figura principal es el personaje que le ha dado ...
... María Elena Velasco , la India María , nunca como en esta ocasión demuestra cuáles son sus pretensiones cinematográfi- cas . Esto es , un cine abiertamente comercial en el cual la figura principal es el personaje que le ha dado ...
Seite 202
... María , in a routine that became the paradigm of the prob- lematic coupling in Mexico for two people of different races and social classes . The India María's admiration for this white man in conjunction with his guarded scorn toward ...
... María , in a routine that became the paradigm of the prob- lematic coupling in Mexico for two people of different races and social classes . The India María's admiration for this white man in conjunction with his guarded scorn toward ...
Seite 206
... María's objective is to save money in order to buy a tractor , but in Los Angeles , she never receives a cent for her various employments . In effect , the poverty that María suffered in Mexico parallels the poverty that she lives ...
... María's objective is to save money in order to buy a tractor , but in Los Angeles , she never receives a cent for her various employments . In effect , the poverty that María suffered in Mexico parallels the poverty that she lives ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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