Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 26Indiana University Press, 2004 |
Im Buch
Ergebnisse 1-3 von 51
Seite 34
... Juan Vargas's arrival , corrup tion , and retreat . The very last scene disrupts this circularity to show that Juan has survived the town's anger to become a federal representative . Hence , Juan addresses Congress in a hypocritical ...
... Juan Vargas's arrival , corrup tion , and retreat . The very last scene disrupts this circularity to show that Juan has survived the town's anger to become a federal representative . Hence , Juan addresses Congress in a hypocritical ...
Seite 35
... Juan resorts to murdering his boss and a bodyguard . The second , insincere confession before Congress earns a ... Juan Vargas arrives at his job to steer clear of an imposing stack of files and to orient himself with a walk around town ...
... Juan resorts to murdering his boss and a bodyguard . The second , insincere confession before Congress earns a ... Juan Vargas arrives at his job to steer clear of an imposing stack of files and to orient himself with a walk around town ...
Seite 44
... Juan and Carlos ; as a marker of corruption , the cross foreshadows Juan's abandonment of his dream . Later , Juan stands beside opposition leader Dr. Morales . The cross between the two characters expresses the likely failure of the ...
... Juan and Carlos ; as a marker of corruption , the cross foreshadows Juan's abandonment of his dream . Later , Juan stands beside opposition leader Dr. Morales . The cross between the two characters expresses the likely failure of the ...
Inhalt
Culture Monopolies and Mexican Cinema A | 5 |
19892004 | 26 |
No Contest | 46 |
Urheberrecht | |
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aesthetic Amores perros argues artistic audience Buñuel camera Carlos Carlos Fuentes Cecilia characters civil contemporary couples Court critical Cronos CRUZ The University cultural Danzón desire director discourse essay fantasy feminism feminist film's Fluxus Fluxwedding Fuentes gay marriage gays and lesbians gender globalization Guillermo heteronormative heterosexual homosexual identity intimacy José Juan Juan García Ponce La Malinche Latin American lesbian lesbian and gay ley de Herodes Los olvidados male Malinche mamá María María Félix married Melodrama ment Mexican cinema Mexican film Mexico City México D.F. Mormon mother movie narrative narrator Nate Niña Chole novel PACS political polygamy popular production protagonist provincia Queer question relation relationship riage Roberto role romance same-sex marriage Santa Julia scene sexual social society sodomy space Spanish spectator status story symbolic Tajimara Tigre de Santa tion traditional urban wedding woman women writes Zapata