Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens

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Sabine Hake, Barbara Mennel
Berghahn Books, 01.10.2012 - 260 Seiten

In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies.

 

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Inhalt

Introduction
1
NEW METHODOLOGIES
17
Chapter 1
19
Chapter 2
32
Chapter 3
44
FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART
57
Chapter 4
59
Chapter 5
72
Chapter 10
136
Chapter 11
149
Chapter 12
161
AUTHORSHIP IDENTITY AND BEYOND
173
Chapter 13
175
Chapter 14
186
Chapter 15
198
Notes on Contributors
213

Chapter 6
84
Chapter 7
96
Chapter 8
109
STARS THEATERS AND RECEPTION
121
Chapter 9
123

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Über den Autor (2012)

Barbara Mennel is Associate Professor of German Studies and Film and Media Studies at the University of Florida, Gainesville.

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