BOOKSELLERS' RECORD (The Organ of the British Book Trade). The weekly paper which keeps its readers in touch with new or interesting movements in the book world by means of Articles, Notes, Announcements, Reviews, Lists of New Publications, and Publishers' Advertise ments. The medium for acquiring or disposing of Books, Magazines, and Prints. PUBLISHED EVERY FRIDAY. ANNUAL SUBSCRIPTION: Home, 10s. 6d.; Abroad, 138. 6d. NOTES AND QUERIES is published on FRIDAY MORNING at 8.30. NEXT WEEK'S NOTES AND QUERIES Will contain the following Long Notes : THE BADDELEY CAKE AT (concluded.) By RALPH THOMAS. DID FIELDING WRITE By J. PAUL DE CASTRO. AND THE TRAGEDY OF MARIAM. THE CLIQUE: The Antiquarian Bookseller's Established 1890. ISSUED SATURDAYS. "OUT OF PRINT." When your bookseller gives you that reply, or you want a SCARCE BOOK, tell him to advertise in THE CLIQUE (the ONLY organ of the Antiquarian Book-Trade) and he is SURE TO GET IT. Advertisements inserted for booksellers only. The readers of THE CLIQUE hold between them SEVENTY MILLION VOLUMES, so you see how certain you are to get the ONE VOLUME you want. THE CLIQUE is issued to booksellers only, 88. 8d. per annum, expiring December 31. Subscribers joining now should remit at the rate of 2d. per week till December 31, 1915. All the eminent booksellers of the world advertise in THE CLIQUE. Office: 19 Adam Street, Strand, London. THE CLIQUE, LTD., KEW GARDENS, S.w. LONDON, SATURDAY, JANUARY 1, 1916. CONTENTS.-No. 1. NOTES:-The Baddeley Cake at Drury Lane, 1-Sir John Schorne, 3-Huntingdonshire Almanacs, 5-Dante and Poliziano-Hogarth: a Contemporary Italian Admirer Notes on Kentish Wills, 8- Caterpillar Tractors "- Halley and Peake Families in Virginia, 9. QUERIES:- Motto of Richard III. - Heraldic Query chant-Author of French Song Wanted - Oudart and REPLIES:-The Society for Constitutional Information, 11 -The Vicar of Bray-Thomas Griffin Tarpley, 12-The Newspaper Placard-Hagiography of Cyprus- All's fair in love and war"-Anastatic Printing. 13-Ensigns in the Royal Navy-Portraits Wanted-"Yes, Sir"-Archbishop Bancroft Loath to Depart-Colton-J. G. Le Maistre, Novelist, 14-Cat Queries-Pronunciation: Regularity in Misconduct-Etruscan Surgical Instruments, 15 Goats with Cattle-Othello-Joseph Sturge-"Shiffles". Christ's "Seven Eyes" in Welsh Poetry-St. Swithin and Eggs, 16-Gower Family of Worcestershire, 17-The NOTES ON BOOKS:-'Lowland Scotch, as Spoken in the Lower Strathearn District of Perthshire The Greek all events, the Cruikshank sheets, which I then thought worth a shilling apiece, To return to West's print with which I Night," and on the cake above, Rich Treasury Cake.” There is no description, and most probably none was necessary; all Londoners knew the characters. It might have been expected to bear some relation to the Drury Lane pantomime produced at Christmas, 1826, which was 'The Man in the Moon; or, Harlequin Dog-Star,' by William Barrymore; but that is not so. clear that the engraving is only intended to be generally representative of celebrated performers who appeared at Drury Lane Theatre at different times, and not at the particular time of the previous year's celebration, namely, 1826. Thus at the head we have Edmund Kean, in costume as Richard III., saying to Robert William Elliston, who is in the act of cutting the cake, Elliston was lessee of Drury Lane Theatre from 1819 to 1826, but he did not act there after the expiration of his lease. Genest in his English Stage' (1832, vol. ix. p. 336) says, "In point of versatility he was scarcely inferior to any actor that had ever trod the stage." I have one of West's prints, dated as early as 1811, of Elliston in the character of Duke Aranza in The Honeymoon.' A copy of this is also in the Print Room (vol. iv. p. 50), but it is of later date, as it has In my collection of West's juvenile theatrical is depicted in the character of Thomas published Jan. 1, 1818.* Eighteen of the figures are portraits, Mrs. Siddons being the Queen, and Charles Kemble the central figure at the table. But Kemble, though he acted frequently in the old theatre, only acted once or twice, on the occasion of a benefit, in the present Drury Lane Theatre. I am unable to say why Elliston is dressed as an officer in a costume much resembling that of "The Governor" in The Exile,' have a sheet of West's characters in The Exile,' by W. Heath, on which plate ii. gives the Governor's costume. It is dated 16 Jan., 1822. This plate is in the Print Room collection, vol. i. p. 66. I also have West's Theatrical Portrait' of Mr. Farren as the Governor, so I presume he acted the part at the revival of 1821. The Farren portrait I only acquired in 1915; it is a quarto representation by William Heath of the Londen. Published Jan 1.1827, by W. West. at his Theatrical Print Warehouse 57 Wych Street Oppofite the Olympic Theatre Strand (Reduced from a Print in the possession of MR. RALPH THOMAS) revived at Covent Garden in 1821. It may be intended as symbolical of his being in command at Drury Lane Theatre. I small one in the sheet of characters abovementioned. To return to the print: on the extreme left is John Liston as Paul Pry, with his portrait of Charles Kemble is almost unrecognizable. However, the likeness is worse still in a wood engraving of the same size (22 by 30 inches) as the original mezzotint, which was issued with No. III. of Reynolds's Miscellany (about 1848) as The Trial of Queen Catherine' at the price of threepence. umbrella under his arm and goblet in his left aware of the fact that for a figure to come hand; and on the extreme right is the out right-handed he must draw it leftsame actor, as Grojan, a character in a long handed on the copper, since a proof taken since forgotten farce, which seems never to from a copperplate represents everything have been printed, called Quite Correct,' the reverse of what it is in the drawing on adapted from the French by Joseph Ebs- the copper. Any one who wishes to see worth, and first produced at the Haymarket, these prints can do so, at the Students' July 29, 1825. There can be no doubt Print Room at the British Museum, where, about Liston's features or the characters, for an occasional visit, no ticket is required. because he is saying to Elliston, who with It is quite clear that this copperplate his left hand is giving a slice of cake to the engraving represents the cutting of the monkey, "That's not correct," which is a Drury Lane Baddeley Twelfth Night cake, catch-phrase of Grojan's, just as "I hope I well known in theatrical circles. I presume don't intrude" is of Paul Pry's. It seems it was intended as a Twelfth Night card, of curious that Liston should be twice repre- which at that time great numbers were sented, but he was so popular that he fre-issued every year. There is a good article quently acted both these parts on the same 'On Twelfth Night as a Religious Period,* night. commenting on the decay of the custom of celebrating the twelfth night after Christmas, in Household Words for Dec. 26, 1896, p. 156. RALPH THOMAS. in of (To be concluded.) SIR JOHN SCHORNE. The monkey figure is intended for little George Wieland as the Chimpanzee 'La Perouse,' a part which he had acted at Drury Lane, and which Edmund Kean is said to have played when he began, about 1809, but which had, no doubt, been completely forgotten. Wieland acquired a unique position as a representative monkeys and sprites, and continued on the stage almost to the time of his death, which occurred on Nov. 6, 1847, at the age of 35. He was a member of the Acting Committee of the Theatrical Fund. One of West's best sets of characters is to be found in The grand historical ballet called La Perouse, or the desolate Island, as performed the English Opera House, published 25 October, 1819." T. P. Cooke was La Simpson, in particular, was assiduous in Perouse, and Miss Leonora Pincott, after-collecting anything relating to the Buckingwards Mrs. Alfred Wigan, is representing the hamshire worthy, and there is but little chimpanzee. known upon the subject which is not included in his articles in vols. xxiii., xxv., and xli. of the Journal of the British Archæological Association. Of later date there is a good summary in the number of The Reliquary for January 1901, not, however, adding anything fresh to what was already known 66 at The figures of Punch on the left and Judy on the right, holding their goblets in their left hands, are simply allegorical. It only remains to mention the figure holding the goblet in his left hand immediately above Elliston, which may be intended for John Charles Hughes, an actor of humorous parts, and for some years Secretary to the Drury Lane Theatrical Fund. Ebsworth, who is mentioned above, married an elder sister of Miss Fairbrother, afterwards Mrs. Fitzgeorge, the wife of the late Duke of Cambridge. The late Rev. J. Woodfall Ebsworth was the son of this Joseph Ebsworth. FOR a good many years past the Rector of Long Marston, that Master John Schorne, "gentleman born," who conjured the devil into a boot and was canonized by the voice of the people, if not by the authority of Rome, has been a standing subject of interest to The late Dr. Sparrow readers of N. & Q.' about this saint. During the last few months I have been so fortunate as to come across a second copy of the Office for Sir John Schorne which was printed by Dr. Sparrow Simpson in the Journal of the British Archæological Association for 1885 (vol. xli. p. 262). Dr. Simpson's version was taken from Sloane MS. No. 389, folio 92, and was obviously the The artist who drew this Twelfth Night writing made some passages quite unintelwork of an illiterate person whose bad handprint was William Heath. He did hun-ligible. The new version which has come to dreds of prints for West. Heath was quite *For information about him see N. & Q.,' 1908 (10 S. ix. 385, 473; x. 13, 93). light is contained in a fifteenth-century collection of prayers, offices, &c., of English origin, belonging to Robert Berkeley, Esq., Aue diuini puerorum ! consolator miserorum qui sunt in tristicia Aue aux peregrinorum esto ductor viatorum ad superna gaudia. Ora pro nobis sacerdos Ave tu que sunt in tris- A comparison of the two versions shows that the Spetchley MS. is much better than the Sloane copy, though it is not altogether free from the mistakes of an ignorant copyist. In stanza 7 the " VOS of the former should evidently be "bos"; but the ninth stanza (Spetchley) and eighth (Sloane) offer most difficulty. The MS. leaves no doubt as to the word divini " "Dnū but this is obviously incorrect. Con Alphington, Devon; Cawston, Norfolk; Gateley, Norfolk; Suffield, Norfolk; Wolborough, Devon. Ave dux peregrinorum hannes. It nos a cunctis febri R. Ut a cunctis febre-figures are so much effaced that it requires a bus defendat gratia Christi. bus defendat nos gracia Christi. good deal of imagination to see a representation of Sir John Schorne in them; at |