Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 75
Seite 73
... whole problem of effectiveness ( = efficacity of the actualizations of the ideological aim ) , the idea of a calculation , of the possibility of a science of this effectiveness , is always implied . And it is this , I believe , this ...
... whole problem of effectiveness ( = efficacity of the actualizations of the ideological aim ) , the idea of a calculation , of the possibility of a science of this effectiveness , is always implied . And it is this , I believe , this ...
Seite 111
... whole effect is to define a closed space , focused on the source of light , on Anastasia's bed . This last detail , moreover , is perhaps the most essential one . That will be seen in the discussion of the whole problem of the depth of ...
... whole effect is to define a closed space , focused on the source of light , on Anastasia's bed . This last detail , moreover , is perhaps the most essential one . That will be seen in the discussion of the whole problem of the depth of ...
Seite 123
... whole series of disturbances are constantly modifying this classicism , playing on the points of articulation ( from shot to shot and within the shots ) , and therefore on the editing . Let us look again at the little sub - unit ...
... whole series of disturbances are constantly modifying this classicism , playing on the points of articulation ( from shot to shot and within the shots ) , and therefore on the editing . Let us look again at the little sub - unit ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing