Discourse, Bände 5-81987 |
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Seite 90
... thing about this leap that is " qualitative " in his writings is its name . What is striking , on the contrary , is the predilection he manifests for heaping things up quanti- tatively , in his films , but also in the endless lists ...
... thing about this leap that is " qualitative " in his writings is its name . What is striking , on the contrary , is the predilection he manifests for heaping things up quanti- tatively , in his films , but also in the endless lists ...
Seite 110
... ( things must be repeated as faithfully as possible in order for Basmanov really to be able to take the czarina's place ) . In spite of the ( narrative , diegetic ) space separating them , it can be seen that our two passages very quickly ...
... ( things must be repeated as faithfully as possible in order for Basmanov really to be able to take the czarina's place ) . In spite of the ( narrative , diegetic ) space separating them , it can be seen that our two passages very quickly ...
Seite 121
... thing is not so much to locate that contrast in the costumes of the characters of the sequence ( which can be done ... things , by violently mark- ing the faces ( Maliouta's in 38 , Ivan's in 42 , Euphrosinia's in 30 , Basmanov's in F ...
... thing is not so much to locate that contrast in the costumes of the characters of the sequence ( which can be done ... things , by violently mark- ing the faces ( Maliouta's in 38 , Ivan's in 42 , Euphrosinia's in 30 , Basmanov's in F ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing