Discourse, Bände 5-81987 |
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Seite 92
The Tango In the text of Buenos Aires the tango oscillates between myth and history . The tango is a stereotypic symbol of Argentinian culture . As a symbol it appears to be “ fixed , ” natural . Yet , like the figures of woman and ...
The Tango In the text of Buenos Aires the tango oscillates between myth and history . The tango is a stereotypic symbol of Argentinian culture . As a symbol it appears to be “ fixed , ” natural . Yet , like the figures of woman and ...
Seite 93
... tango as well , yet it is a much more complicated and ambiguous construction . Os- tensibly , the subject of the historical tango is male : " It has always been held that the tango was ' men's music . ' In the beginning , when this ...
... tango as well , yet it is a much more complicated and ambiguous construction . Os- tensibly , the subject of the historical tango is male : " It has always been held that the tango was ' men's music . ' In the beginning , when this ...
Seite 99
... Tango : Theme of Class and Nation , " Ethnomusi- cology 20 ( 1976 ) : 273-91 , and " The Politics of Aesthetic Debate : The Case of Brazilian Carnival , ” Ethnology 21.4 ( 1982 ) : 301-11 . In these two studies Taylor discusses popular ...
... Tango : Theme of Class and Nation , " Ethnomusi- cology 20 ( 1976 ) : 273-91 , and " The Politics of Aesthetic Debate : The Case of Brazilian Carnival , ” Ethnology 21.4 ( 1982 ) : 301-11 . In these two studies Taylor discusses popular ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing