Discourse, Bände 5-81987 |
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Seite 9
... story , a category which was itself born in the nineteenth century setting in which industrial society was evolving . Theoretically the difference between the two phenomena is very clearcut . The event belongs by its nature to a well ...
... story , a category which was itself born in the nineteenth century setting in which industrial society was evolving . Theoretically the difference between the two phenomena is very clearcut . The event belongs by its nature to a well ...
Seite 35
... story which , in all three cases , as Billie Holiday sings . over the rolling end credits , is the same old story of a boy and a girl in love , the scene , same old moonlight the time , same old June night romance's the theme ... the ...
... story which , in all three cases , as Billie Holiday sings . over the rolling end credits , is the same old story of a boy and a girl in love , the scene , same old moonlight the time , same old June night romance's the theme ... the ...
Seite 64
... story " in the French word histoire and the German word Geschichte . So we know that the absence of an enunciating subject is ideological , that historical events are never closed , that they ... story : " Telling stories , this 64 DISCOURSE.
... story " in the French word histoire and the German word Geschichte . So we know that the absence of an enunciating subject is ideological , that historical events are never closed , that they ... story : " Telling stories , this 64 DISCOURSE.
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing