Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 86
Seite 59
... spectator into the complacent security of a world- wise subject of the state is more likely to irritate the spectator in the cinema who , after all , came to see a single feature film . From the per- spective of the latter , Germany in ...
... spectator into the complacent security of a world- wise subject of the state is more likely to irritate the spectator in the cinema who , after all , came to see a single feature film . From the per- spective of the latter , Germany in ...
Seite 60
... spectators . 13 The notion of the film in the spectator's head prompts a com- parison with psychoanalytic film theory , in particular the writings of Metz in The Imaginary Signifier . 14 In the classic essay of the same title , Metz ...
... spectators . 13 The notion of the film in the spectator's head prompts a com- parison with psychoanalytic film theory , in particular the writings of Metz in The Imaginary Signifier . 14 In the classic essay of the same title , Metz ...
Seite 61
... spectator of the contemporary Hollywood pro- duct , an alternative cinema has to engender a resistance - in the psychoanalytic sense - resistances that provoke the spectator into auto- nomous co - authorship . Hence the importance of ...
... spectator of the contemporary Hollywood pro- duct , an alternative cinema has to engender a resistance - in the psychoanalytic sense - resistances that provoke the spectator into auto- nomous co - authorship . Hence the importance of ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing