Discourse, Bände 5-81987 |
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Seite 92
... Sense , ed . and tr . by Jay Leyda ( The World Publishing Com- pany , Meridian Books , 1968 ) . ( A new edition of ... Sense , pp . 155-216 . The diagrams referred to by Aumont in the next paragraph are to be found on a pullout sheet ...
... Sense , ed . and tr . by Jay Leyda ( The World Publishing Com- pany , Meridian Books , 1968 ) . ( A new edition of ... Sense , pp . 155-216 . The diagrams referred to by Aumont in the next paragraph are to be found on a pullout sheet ...
Seite 56
... sense of urgency , the compromises of topicality . Intended for immediate reception , the film defines its interventionist status in response to the crisis of leftist subjectivity within an increasingly restrictive public sphere : what ...
... sense of urgency , the compromises of topicality . Intended for immediate reception , the film defines its interventionist status in response to the crisis of leftist subjectivity within an increasingly restrictive public sphere : what ...
Seite 111
... sense , his films might well be called post - narrative rather than anti - narrative . Yet one hesitates to describe his work in the categories of post - modern performance art , even though the refusal to delegate and instead to split ...
... sense , his films might well be called post - narrative rather than anti - narrative . Yet one hesitates to describe his work in the categories of post - modern performance art , even though the refusal to delegate and instead to split ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing