Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 89
Seite 46
... question of attributing this central idea of frag- mentation to Eisenstein alone . Moreover , the historical and theoretical importance of Kuleshov's famous experiments , for example , is well known ( although it should be mentioned in ...
... question of attributing this central idea of frag- mentation to Eisenstein alone . Moreover , the historical and theoretical importance of Kuleshov's famous experiments , for example , is well known ( although it should be mentioned in ...
Seite 69
III . A Parenthesis - On the Question of Form The " question " of form is far more than a question . For Eisen- stein it marks the boundaries of a real battlefield , a struggle , and not merely a verbal one , between " work on the form ...
III . A Parenthesis - On the Question of Form The " question " of form is far more than a question . For Eisen- stein it marks the boundaries of a real battlefield , a struggle , and not merely a verbal one , between " work on the form ...
Seite 69
... question to demand a response , for the question was framed by anxiety - the sense of a loss of control- the feeling that the film had taken over , deprived the subject of the kind of self - consciousness that indicates awareness and ...
... question to demand a response , for the question was framed by anxiety - the sense of a loss of control- the feeling that the film had taken over , deprived the subject of the kind of self - consciousness that indicates awareness and ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing