Discourse, Bände 5-81987 |
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Seite 53
... montage " ( and the whole development of this biological metaphor 15 ) . The frame has to do with editing , with montage , because it is an aspect of the fragment . Frame / fragment - of course , the two terms are not equivalent . And ...
... montage " ( and the whole development of this biological metaphor 15 ) . The frame has to do with editing , with montage , because it is an aspect of the fragment . Frame / fragment - of course , the two terms are not equivalent . And ...
Seite 94
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , ” referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , ” referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
Seite 95
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , ” and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , ” and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing