Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 30
Seite 67
... marked the Stalin era , far more than it does specifically Eisensteinian weaknesses . Thus it is that this aspect of effectiveness as agitprop has a tendency ( like all the political concepts of that period ) not to stand for much , to ...
... marked the Stalin era , far more than it does specifically Eisensteinian weaknesses . Thus it is that this aspect of effectiveness as agitprop has a tendency ( like all the political concepts of that period ) not to stand for much , to ...
Seite 125
Eisenstein's sound films marked a regression , insofar as their use of editing was concerned . As a result of the ... marked ( and , let there be no doubt about it , each one of which could certainly be justified in terms of the ...
Eisenstein's sound films marked a regression , insofar as their use of editing was concerned . As a result of the ... marked ( and , let there be no doubt about it , each one of which could certainly be justified in terms of the ...
Seite 22
... marked the historical development of the polis . This would suggest that the tripartite structure can be used to represent , symbolically , moments of social transformation and change . Once again the final part of the story structure ...
... marked the historical development of the polis . This would suggest that the tripartite structure can be used to represent , symbolically , moments of social transformation and change . Once again the final part of the story structure ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing