Discourse, Bände 5-81987 |
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Ergebnisse 1-3 von 36
Seite 10
... live , but not in France , which saw it on tape . By abolishing time delays , by unfolding the uncertain action before our very eyes , by miniaturizing personal experi- ence , the live broadcast or telecast manages to strip an event of ...
... live , but not in France , which saw it on tape . By abolishing time delays , by unfolding the uncertain action before our very eyes , by miniaturizing personal experi- ence , the live broadcast or telecast manages to strip an event of ...
Seite 66
... live in a situation which is black and white in many ways : class differences are huge , exploitative hier- archy rampant , discrepancies enormous . So I can see why some- body would choose to show a situation without any grey areas . I ...
... live in a situation which is black and white in many ways : class differences are huge , exploitative hier- archy rampant , discrepancies enormous . So I can see why some- body would choose to show a situation without any grey areas . I ...
Seite 90
... live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . " ( BA 16 ) . " In Buenos Aires the gaze was like a life - line stretched across the abyss . She always walked on this ...
... live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . " ( BA 16 ) . " In Buenos Aires the gaze was like a life - line stretched across the abyss . She always walked on this ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing