Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 66
Seite 45
... important issue ( " Eisenstein's place in a general theory of cinema " ) will still remain unbroached at the end of this book . There cannot be the slightest doubt that although the ( ? ) Eisensteinian theory is a very powerful and ...
... important issue ( " Eisenstein's place in a general theory of cinema " ) will still remain unbroached at the end of this book . There cannot be the slightest doubt that although the ( ? ) Eisensteinian theory is a very powerful and ...
Seite 116
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
Seite 5
... important changes in the seventies , not only in film but in literature and the other arts as well . " New Subjectivity " or " New Sensitivity " are the terms used in the Federal Republic to describe this recent emphasis on the personal ...
... important changes in the seventies , not only in film but in literature and the other arts as well . " New Subjectivity " or " New Sensitivity " are the terms used in the Federal Republic to describe this recent emphasis on the personal ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing