Discourse, Bände 5-81987 |
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Seite 11
... facts add further meaning to the tragic dimension of each of those events . The fact that the Leningrad trials took place at the same time as the Burgos trial and that both were tried in camera influenced their outcome . A political ...
... facts add further meaning to the tragic dimension of each of those events . The fact that the Leningrad trials took place at the same time as the Burgos trial and that both were tried in camera influenced their outcome . A political ...
Seite 123
... fact that what is going on at Ivan's desk can be heard very clearly from the bedchamber22 ( and already anticipating Ivan's entrance in shot 12 ) . Furthermore , the alternation is very irregular . While the lengths of its successive ...
... fact that what is going on at Ivan's desk can be heard very clearly from the bedchamber22 ( and already anticipating Ivan's entrance in shot 12 ) . Furthermore , the alternation is very irregular . While the lengths of its successive ...
Seite 32
... fact remain a mystery to the viewer , devoid of any visible subjectivity and relieved of all psychology ) and from ... fact via intertitle . Having discovered the fact with such ease , the viewer then has little 32 DISCOURSE.
... fact remain a mystery to the viewer , devoid of any visible subjectivity and relieved of all psychology ) and from ... fact via intertitle . Having discovered the fact with such ease , the viewer then has little 32 DISCOURSE.
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing