Discourse, Bände 5-81987 |
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Seite 23
... existence of transitional periods which sometimes require a certain autonomy . Examples of these are seen in the novitiate and the betrothal . It is this concept of transition that provides an orientation for understanding the ...
... existence of transitional periods which sometimes require a certain autonomy . Examples of these are seen in the novitiate and the betrothal . It is this concept of transition that provides an orientation for understanding the ...
Seite 107
... existence of Fassbinder , Herzog , Syberberg ) and the Berlin School ( acknow- ledged obliquely in occasional articles on Klaus Wildenhahn , a documentarist who once taught there ) reference to Joris Ivens , Peter Nestler , articles on ...
... existence of Fassbinder , Herzog , Syberberg ) and the Berlin School ( acknow- ledged obliquely in occasional articles on Klaus Wildenhahn , a documentarist who once taught there ) reference to Joris Ivens , Peter Nestler , articles on ...
Seite 90
... existence and in this sense the Porteña is dependent upon the gaze : " How to live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . " ( BA 16 ) . " In Buenos Aires the gaze ...
... existence and in this sense the Porteña is dependent upon the gaze : " How to live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . " ( BA 16 ) . " In Buenos Aires the gaze ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing