Discourse, Bände 5-81987 |
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Seite 48
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
Seite 105
... diegesis is charged with producing the reality effect both iconically and by enhancing the spectator's hallucinated presence on the scene aurally and visually . In the latter example , the diegesis is itself fractured , multiple and ...
... diegesis is charged with producing the reality effect both iconically and by enhancing the spectator's hallucinated presence on the scene aurally and visually . In the latter example , the diegesis is itself fractured , multiple and ...
Seite 114
... diegesis and referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent ...
... diegesis and referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing