Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 73
Seite 33
... desire.25 But a third possibility is posed in the film , questioning the first two : the possibility of a different temporality , another time of desire . " What about my time , " shouts Milena in a context where time stands for desire ...
... desire.25 But a third possibility is posed in the film , questioning the first two : the possibility of a different temporality , another time of desire . " What about my time , " shouts Milena in a context where time stands for desire ...
Seite 22
... desire and anxiety , so that , as Barthes has pointed out , the Oedipus story becomes a paradigm for narrative as such . Turner argues that the desire and excess that characterize the middle phase represent a collectively acknowledged ...
... desire and anxiety , so that , as Barthes has pointed out , the Oedipus story becomes a paradigm for narrative as such . Turner argues that the desire and excess that characterize the middle phase represent a collectively acknowledged ...
Seite 34
... desire ; but an area which has been less discussed is the desire of feminist criticism . If feminist film criticism is an engagement with texts , it is also an engagement with the myths that surround them . The polari- ties of critique ...
... desire ; but an area which has been less discussed is the desire of feminist criticism . If feminist film criticism is an engagement with texts , it is also an engagement with the myths that surround them . The polari- ties of critique ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing