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Seite 60
Without giving up the " aggressive " characteristics which have just been defined , the attraction begins to designate , or , at ... a second definition might be proposed here ( to be added to the first one without repudiating it ) .
Without giving up the " aggressive " characteristics which have just been defined , the attraction begins to designate , or , at ... a second definition might be proposed here ( to be added to the first one without repudiating it ) .
Seite 135
In a special actualization of the principle of character typing through clothing , facial features , gestures , an ( obviously connotative ) signified would be constituted , which would not be a social definition , nor even , properly ...
In a special actualization of the principle of character typing through clothing , facial features , gestures , an ( obviously connotative ) signified would be constituted , which would not be a social definition , nor even , properly ...
Seite 20
The latter comes to be exclusively defined as work , partly because of the exchange values of the commodities produced , but crucially and specifically in capitalism because that work is performed in exchange for a wage .
The latter comes to be exclusively defined as work , partly because of the exchange values of the commodities produced , but crucially and specifically in capitalism because that work is performed in exchange for a wage .
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Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Algiers appears become body Buenos Aires called camera character cinema close comes concept construction context course critical culture defined desire dialectical diegesis difference discourse dominant effect Eisenstein example existence experience expression eyes face fact feel female feminist fiction figure film filmmakers finally fragment frame function German given gives hand idea identity important issue Ivan kind Kluge language least less live look male marked Marxism meaning montage move movement narrative nature never object once opposition particular play political position possible practice precisely present problem produce question reference relation relationship remains representation represented scene seems seen sense sequence sexual shot social society sound space speak specific spectator speech story structure symbolic theory things tion turn voice whole woman women writing