Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 53
Seite 43
... context of feminist writing and filmmaking in part because this context is itself inscribed , by Sander , within the film . The anti - feminism of the Kluge film can be discerned , just as plainly , from its exclusions of similar ...
... context of feminist writing and filmmaking in part because this context is itself inscribed , by Sander , within the film . The anti - feminism of the Kluge film can be discerned , just as plainly , from its exclusions of similar ...
Seite 107
... context of the question of sepa- ration of voice and image , the possibilities and functions of com- mentary and voice - over , and of the strategies of the filmed inter- view in structuring a political discourse in the cinema . Thus ...
... context of the question of sepa- ration of voice and image , the possibilities and functions of com- mentary and voice - over , and of the strategies of the filmed inter- view in structuring a political discourse in the cinema . Thus ...
Seite 8
... context . It is on the reappropriation of the female voice , on the world of woman talk beautifully conveyed by Bell ... context of woman speech , silence therefore has many faces . Like the veiling of women mentioned earlier , silence ...
... context . It is on the reappropriation of the female voice , on the world of woman talk beautifully conveyed by Bell ... context of woman speech , silence therefore has many faces . Like the veiling of women mentioned earlier , silence ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing