Discourse, Bände 5-81987 |
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Seite 52
... camera " ) , but to " cut out " its " compositional unit . " The other method , apprehension by the camera , organiza- tion by it . A piece of reality is sliced off with the camera lense . ( Ibid , RW 2 , pp . 294 ff . ) What does that ...
... camera " ) , but to " cut out " its " compositional unit . " The other method , apprehension by the camera , organiza- tion by it . A piece of reality is sliced off with the camera lense . ( Ibid , RW 2 , pp . 294 ff . ) What does that ...
Seite 14
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
Seite 119
... Camera Obscura no . 2 5. Guillaume Apollinaire , " Un Beau Film " , L'Hérésiarque et Cie , 1910 ( engl . translation in Sight and Sound , July - Sept . 1952 , pp . 40-41 ) 6. Kaja Silverman , " Helke Sander and the Will to Change ...
... Camera Obscura no . 2 5. Guillaume Apollinaire , " Un Beau Film " , L'Hérésiarque et Cie , 1910 ( engl . translation in Sight and Sound , July - Sept . 1952 , pp . 40-41 ) 6. Kaja Silverman , " Helke Sander and the Will to Change ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing