The Art of the Film

action actor appear art proper artist audience Battleship Potemkin CALIFORN camera cameraman character cinema cinematograph cinematograph film close shot close-up Collingwood colour complete composed conscious continuity creative criticism D. W. Griffith described dialogue director documentary documentary film editing effect Eisenstein example express Faber fact feeling film medium Film Technique film-maker filmic fragments frames give Griffith idea imagination impression John Grierson kind Kinetoscope length of film lens LIBRARY light Lindsay Anderson London LONG SHOT look Louisiana Story material Maurice Jaubert means MEDIUM SHOT ment mind movement moving negative non-actor normally optical photographic picture play position possible producer projection projector Pudovkin purpose R. G. Collingwood re-recording record relationship scene screen script sense sequence Seventh Veil shooting silent film single sound film sound-track spectator stage story studio succession taken technicians television thing tion track visual whole word