The Lives of the Most Eminent British Painters and Sculptors, Band 2Harper, 1833 |
Im Buch
Ergebnisse 1-5 von 59
Seite 7
... character of England ; and declared that the day and the hour were at hand , when those countries would be desolated with the tempest of God's vengeance - the mass of the atheists and money - changers swallowed up - and the terrified ...
... character of England ; and declared that the day and the hour were at hand , when those countries would be desolated with the tempest of God's vengeance - the mass of the atheists and money - changers swallowed up - and the terrified ...
Seite 21
... characters in Europe , " says Galt , " conducted the young Quaker to view the masterpieces of art . It was agreed that the Apollo should be first submitted to his view ; the statue was enclosed in a case , and when the keeper threw open ...
... characters in Europe , " says Galt , " conducted the young Quaker to view the masterpieces of art . It was agreed that the Apollo should be first submitted to his view ; the statue was enclosed in a case , and when the keeper threw open ...
Seite 26
... character to any of his works , the Moses perhaps excepted . The works of Raphael grow daily more interesting , natural , and noble . " At Parma he was elected a member of the Aca demy - an honour which Florence and Bologna had ...
... character to any of his works , the Moses perhaps excepted . The works of Raphael grow daily more interesting , natural , and noble . " At Parma he was elected a member of the Aca demy - an honour which Florence and Bologna had ...
Seite 27
... character of the Quakers , nor to the condescension of the British law in their favour . He was , moreover , a lover of William Penn . He received the young artist with com- placency , and dismissed him with many expressions of regard ...
... character of the Quakers , nor to the condescension of the British law in their favour . He was , moreover , a lover of William Penn . He received the young artist with com- placency , and dismissed him with many expressions of regard ...
Seite 34
... character of British art ; hitherto historical painting had ap- peared in a masking habit : the actions of English ... characters as they had actually appeared on the scene , the Archbishop of York called on Reynolds , and asked his ...
... character of British art ; hitherto historical painting had ap- peared in a masking habit : the actions of English ... characters as they had actually appeared on the scene , the Archbishop of York called on Reynolds , and asked his ...
Andere Ausgaben - Alle anzeigen
The Lives of the Most Eminent British Painters and Sculptors Allan Cunningham Keine Leseprobe verfügbar - 2019 |
Häufige Begriffe und Wortgruppen
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nation nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Beliebte Passagen
Seite 130 - PIPING down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me : "Pipe a song about a Lamb !
Seite 130 - Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: "Pipe a song about a Lamb!' So I piped with merry cheer. 'Piper, pipe that song again;
Seite 126 - TIGER, tiger, burning bright In the forest of the night, What immortal hand or eye Could frame thy fearful symmetry ? In what distant deeps or skies Burnt the ardour of thine eyes? On what wings dare he aspire — What the hand dare seize the fire ? And what shoulder, and what art Could twist the sinews of thy heart ? And when thy heart began to beat, What dread hand form'd...
Seite 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Seite 144 - How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements?
Seite 131 - Piper, sit thee down and write In a book that all may read ' — So he vanished from my sight ; And I plucked a hollow reed, And I made a rural pen, And I stained the water clear, And I wrote my happy songs, Every child may joy to hear.
Seite 125 - Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Seite 149 - When the morning stars sang together, and the sons of God shouted for joy.
Seite 102 - ... the meaner sort of painters, who counterfeit only such faces as are set before them, and the more excellent, who, having no law but wit, bestow that in colours upon you which is fittest for the eye to see...
Seite 31 - Forty years intercourse, we might almost say friendship, confirmed to the painter the accuracy of these words. "The king received West with easy frankness, assisted him to place the Agrippina in a favourable light, removed the attendants, and brought in the queen, to whom he presented our quaker. He related to her majesty the history of the picture, and bade her notice the simplicity of the design and the beauty of the colouring. ' There is another noble Roman subject...