Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 7-9Wayne State University Press, 1985 |
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Seite 105
... referent . While there are some very powerful ( and well- rehearsed ) arguments why , despite the cinema's undeniable icon- icity , the specific figurative operations of any filmic text ensure that the referent remains in some sense ...
... referent . While there are some very powerful ( and well- rehearsed ) arguments why , despite the cinema's undeniable icon- icity , the specific figurative operations of any filmic text ensure that the referent remains in some sense ...
Seite 114
... referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent , a status of ...
... referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent , a status of ...
Seite 41
... referent as a fiction or fable , they cannot reconstitute themselves in the aftermath of their total destruc- tion as archive . As Derrida writes , The only referent that is absolutely real is thus of the scope or dimension of an ...
... referent as a fiction or fable , they cannot reconstitute themselves in the aftermath of their total destruc- tion as archive . As Derrida writes , The only referent that is absolutely real is thus of the scope or dimension of an ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Urheberrecht | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York