Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 7-9Wayne State University Press, 1985 |
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Seite 36
... hand , by a dislocation of the male gaze ( Henkel functions as a spectator within the film devoid of any authoritative gaze ) ; and on the other hand , by the purely imagi- nary character which the " adoring public " acquires . It has ...
... hand , by a dislocation of the male gaze ( Henkel functions as a spectator within the film devoid of any authoritative gaze ) ; and on the other hand , by the purely imagi- nary character which the " adoring public " acquires . It has ...
Seite 110
... hand - held cameras dis- penses with the usual code of camera movement ( with the pan , the tracking shot , the zoom ) . ( ... ) Hand - held camera thus comes to signify the oppo- site of what it signifies in the documentary ; instead ...
... hand - held cameras dis- penses with the usual code of camera movement ( with the pan , the tracking shot , the zoom ) . ( ... ) Hand - held camera thus comes to signify the oppo- site of what it signifies in the documentary ; instead ...
Seite 26
... hand , i play into the Savior's hands by concentrating on authenticity , for my attention is numbed by it and diverted from other , important issues ; on the other hand , i do feel the necessity to return to my so - called roots , since ...
... hand , i play into the Savior's hands by concentrating on authenticity , for my attention is numbed by it and diverted from other , important issues ; on the other hand , i do feel the necessity to return to my so - called roots , since ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Urheberrecht | |
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