Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 7-9Wayne State University Press, 1985 |
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Seite 4
... cinema's formal and ideological " pro- gram , " claiming for itself the status of a " counter cinema . " Film theory also adopted an increasingly critical attitude toward popular cinema , frequently citing avant - garde texts as ...
... cinema's formal and ideological " pro- gram , " claiming for itself the status of a " counter cinema . " Film theory also adopted an increasingly critical attitude toward popular cinema , frequently citing avant - garde texts as ...
Seite 5
... cinema , and derive their value almost entirely through their nega- tive relation to that cinema . Gidal's films and the authorial commentary surrounding them make unusually explicit the degree to which the antagonism of ex- perimental ...
... cinema , and derive their value almost entirely through their nega- tive relation to that cinema . Gidal's films and the authorial commentary surrounding them make unusually explicit the degree to which the antagonism of ex- perimental ...
Seite 32
... cinema , in which pleasure would be a function of something other than the familiar dualities . What has become increasingly apparent , however , is that those familiar dualities are not so easily dispensed with , and that the clas ...
... cinema , in which pleasure would be a function of something other than the familiar dualities . What has become increasingly apparent , however , is that those familiar dualities are not so easily dispensed with , and that the clas ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Urheberrecht | |
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