Der Aufhaltsame Aufstieg des Arturo UiMethuen Educational, 1981 - 256 Seiten |
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Seite 12
Bertolt Brecht D. G. Matthews, S. M. Matthews. ( photographs , statistics ) was part of the stage technique . However , Brecht did not agree with Piscator's totally political and often emotional approach . Brecht's first volume of poems ...
Bertolt Brecht D. G. Matthews, S. M. Matthews. ( photographs , statistics ) was part of the stage technique . However , Brecht did not agree with Piscator's totally political and often emotional approach . Brecht's first volume of poems ...
Seite 15
Bertolt Brecht D. G. Matthews, S. M. Matthews. 1 Lukács . Piscator wanted Brecht to join his project for an anti- fascist ... Brecht's concept of ' alienation ' was close to that of the Russian Formalist , Victor Shklovsky : recently ...
Bertolt Brecht D. G. Matthews, S. M. Matthews. 1 Lukács . Piscator wanted Brecht to join his project for an anti- fascist ... Brecht's concept of ' alienation ' was close to that of the Russian Formalist , Victor Shklovsky : recently ...
Seite 18
Bertolt Brecht D. G. Matthews, S. M. Matthews. Simone Machard ( 1942-3 ) , together with Feuchtwanger . In Brecht's adaptation of Schweyk , Hitler appears speaking in verse with forced comic rhymes , while Czechs like Schweyk are forced ...
Bertolt Brecht D. G. Matthews, S. M. Matthews. Simone Machard ( 1942-3 ) , together with Feuchtwanger . In Brecht's adaptation of Schweyk , Hitler appears speaking in verse with forced comic rhymes , while Czechs like Schweyk are forced ...
Inhalt
ACKNOWLEDGEMENTS | 6 |
an analysis of the text and its historical | 23 |
BIBLIOGRAPHY | 75 |
Urheberrecht | |
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