Indie Fonts 2/Ed |
Im Buch
Seite 5
What would the world be like if František Štorm hadn't drawn his own version of the glorious Baskerville , and created its companion grotesk , John Sans ? These are but a few examples of innovation in contemporary type design - the ...
What would the world be like if František Štorm hadn't drawn his own version of the glorious Baskerville , and created its companion grotesk , John Sans ? These are but a few examples of innovation in contemporary type design - the ...
Seite 6
Sans Serif 10 1 • Display 16 · Script 23 W • Bitmapped / Screen 24 • Non - Latin 25 . Ornaments 25 25 292 292 292 292 292 292 292 292 292 292. II.
Sans Serif 10 1 • Display 16 · Script 23 W • Bitmapped / Screen 24 • Non - Latin 25 . Ornaments 25 25 292 292 292 292 292 292 292 292 292 292. II.
Seite 10
... 102 102 191 78 263 Sans Serif 21st Super Fine 21st Super Fine Italic 21st Fine 263 341 Charifa Sans 209 Claudium 209 209 305 307 304 ClearviewOne Thin 306 307 ClearviewOne Thin Italic ClearviewOne Light 307 ClearviewOne Light Italic ...
... 102 102 191 78 263 Sans Serif 21st Super Fine 21st Super Fine Italic 21st Fine 263 341 Charifa Sans 209 Claudium 209 209 305 307 304 ClearviewOne Thin 306 307 ClearviewOne Thin Italic ClearviewOne Light 307 ClearviewOne Light Italic ...
Seite 12
... slant Ether connected Bold 342 Ether Connected Bold slant 342 73 euforia LigHT euforia REGULAR 269 EUFORIA BOLD euforia INLINE euforia STENCIL 269 Extreme Sans Extreme Sans Oblique Extreme Sans Heavy Extreme Sans Heavy Oblique Faber ...
... slant Ether connected Bold 342 Ether Connected Bold slant 342 73 euforia LigHT euforia REGULAR 269 EUFORIA BOLD euforia INLINE euforia STENCIL 269 Extreme Sans Extreme Sans Oblique Extreme Sans Heavy Extreme Sans Heavy Oblique Faber ...
Seite 14
Obl . Proxima Sans Black Proxima Sans Black Obl 109 REACTION Fine 274 274 275 275 275 109 REACTION Fine Italic REACTION Regular REACTION Regular Italic 109 109 109 REACTION Bold 109 REACTION Bold Italic REACTION Ultra REACTION Ultra ...
Obl . Proxima Sans Black Proxima Sans Black Obl 109 REACTION Fine 274 274 275 275 275 109 REACTION Fine Italic REACTION Regular REACTION Regular Italic 109 109 109 REACTION Bold 109 REACTION Bold Italic REACTION Ultra REACTION Ultra ...
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Inhalt
III | 27 |
IV | 45 |
V | 63 |
VI | 81 |
VII | 99 |
VIII | 117 |
IX | 135 |
X | 153 |
XV | 243 |
XVI | 261 |
XVII | 279 |
XVIII | 297 |
XIX | 315 |
XX | 351 |
XXI | 368 |
XXII | 372 |
Häufige Begriffe und Wortgruppen
ABCDEFGHIJKLMNOPQRST ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz Alternate Based beauty Black Bold Italic buckets and spoons cars ignore characters Chris O'Hara 1997 CLASSICS ClearviewOne Closed Contains Digital disrupts the present Dolly Donald Meeker DynaGrotesk effect ends Extra Bold Faber face five font forms Foundry FTF MORGAN Futura ND Gothic hard luck stories Heavy hissing fury controls ignore the laybys Itali James Montalbano Jannon Jason Walcott jumps Kare laybys and whys letters Light Italic lining look Max Kisman Medium motion NF Nick Curtis Nick Curtis 2002 Normal O'Hara 1997 Tabular Oblique Oldstyle Figures Open original Outline pattern PHUTURE printing Regular Regular Italic Roman Rounded Sans Sauna script serif space spoons dug trenches Square stories where cars style Susan Kare Text Thin things thought into hard trenches of thought true typeface typography weight